Category Archives: animation / interactive / film

Fish Tank

Years ago, I had this idea for a virtual fish tank. It would have five LCD displays (possibly touch screen) and a 3D rendering of fish inside. Each face of the cube would display the corresponding camera angle. For years that idea sat in a notebook, because I had no idea how to actually do it, and was making it way harder than it had to be. (I really have no idea how to do anything more complex than a cube in OpenGL.)

Well, it turns out someone at the University of British Columbia had the same idea, and built pCubee, a perspective corrected display box.

At least it was hard to do.

Fuck the iPad. I want this.

Video after the jump.
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I’m Here

I’m Here is a new short by Spike Jonze. I’m a sucker for Spike. I’ve enjoyed his music videos from back in the day, and I’ve loved everyone of his feature length works. His work always has a very chill, and if it’s possible to use it in a nonpejorative sense, a “hipster,” feel to it.

The movie is free, but it’s set up with this lame artificial scarcity of number of viewings per day. I guess to give you that “theatrical experience” at home. That’s just what I want. An online movie being “sold out.”

This One is On Us

First there were bootleg concert recordings, now there are bootleg concert videos. This One is on Us is a fan project to crowdsourced concert films from the last Nine Inch Nails tour. I never would have thought this was possible, but with the advent of small highdef video recorders, it was inevitable. I downloaded “The Gift,” and it’s good. It’s as good as any other concert video I’ve seen.

And it’s NIN. Yay.

Trailer after the jump.
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La Vitrine’s LED Wall

Lighting artists, the Moment Factory installed on the front wall of Montreal’s La Vitrine theater a full length interactive LED display. Made up of hellalot of RGB leds, the patterns react to people as they pass on the street.

Moment Factory designed the lighting effects for Nine inch Nails‘s (w00t) 2008 Lights in the Sky tour. There’s a video of them talking about the effects on the tour, and how they were controlled from the stage rather than pre-scripted like stage effects normally are, but a combination of flash and their website being in flux have foiled me. Still, if you like effects and/or NIN, find the video. It’s not that long.

Previously. Previously.

Another video after the jump.

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ImmorTall

Evan Miller‘s (Pixelante Studios) art game ImmorTall is an poignent game about an alien that crashes to earth, befriends a family, and then must protect them from the military.

What I found most interesting about this game was the comments on Kongregate that sprung up around it. Predictably, there were those that got it, and those that didn’t (my favorite comments are after the jump), but that here was a game that didn’t have an explicit backstory, yet a common one kept reappearing: the military was there to attack the alien.

I thought that was interesting, since I didn’t get that at all. Looking at the backgrounds, I imagine that the alien was that after a quiet time, war came to the countryside, and the alien was helping the family escape Von Trapp style (or so Rodgers and Hammerstein would have you think). The alien, was just caught in the middle like everyone else.

I guess it’s just the effect of too many B-movies.

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Metropolis

Fritz Lang’s masterpiece “Metropolis” was screened at the Brandenburg Gate for the most recent Berlin Film Festival. What’s noteworthy about this screening is that it was the first public screening of the most recent, and more complete, restored version.

When “Metropolis,” was originally shown in Berlin in 1927, it had a running time 153 minutes. However, the export version was cut down to 114 minutes. Soon it was cut down further to a mere 90 minutes in order please theater owners, who wanted a higher turn over of customers each day, and because the plot was too “controversial.” (And just think, “Atlas Shrugged” was still 30 years away.)

With all the cuts and differing versions, the original was thought lost. Then in 2001, a restored version was put together using footage collected from the different versions along with intertitle cards for missing scenes. This version clocks in at 124 minutes.

In 2008 a copy of what may be the original cut, was found in Buenos Aires, and a further 25 minutes of additional footage was added to the 2001 reconstruction. Unfortunately, the Argentine copy was heavily degraded, and was a 16mm copy of a damaged 32mm copy, meaning that the additional footage will probably always be noticeable. It was this 2008 version that was shown this year in Berlin.

So what does this mean if you want to watch Metropolis yourself? My recommendation is to wait, and and be careful about what you buy.

I own the unrestored 90 minute version, and it’s completely unwatchable. The images are dark, cropped, and constrained to a flickering circle in the middle of screen. For instance, the scene shown in the above movie poster is limited to about the middle ninth of the still. Don’t pay attention to the running time. The time is stretched because the film is run back at less than 24 fpm, and so all the music is out of sync. This version is a complete waste of money.

Then there’s 2001 124 minute version. This is version that is recognized by UNESCO. It’s available today, but in light of the latest reconstruction, I’d also stay away from it.

Unfortunately, the 2008 reconstruction has yet to be released, but is expected to come out at the end of this year.

The Great Jonny Quest Documentary

One of my favorite animated series of all time is the original 1960’s Jonny Quest. Not the bullshit 80’s “New Adventures.” Not the overly PC 90’s “Real Adventures.” It’s good ol’ guys-with-guns, jet packs, and a body count 60’s version, or nothing. Today we’d call it atompunk, but I prefer the Venture Brother‘s term “super science”. What really sets the original show apart from anything at the time, or since, is Doug Wildey‘s artwork. Wildey was a comic book artist, and transferred that stylized realistic style to the screen, where it worked fabulously.

Classic Quest fan, Chris Webber, found a posted a documentary about the origins and production of the 60’s show. I haven’t finished watching it, but from I’ve seen it’s a great piece of animation scholarship.

The film is available on YouTube in 20+ parts (first of which is after the jump), as a download from as 108(!) RapidShare downloads from Chris Webber’s site,
and as an excruciatingly slow torrent. (Guess which one I recommend?)

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