Tag Archives: video

Amen Brother

If you’re like me, you probably never heard of the “Amen Break,” but you have heard it. It’s inescapable, as this documentary points out. While the origins and the spread of the “Amen Break” is interesting, what really sets this apart, is the turn it takes around the 13 minute mark. The narrator, Nate Harrison, examines the legal situation surrounding the “Amen Break,” since it has become quite a lucrative six seconds of audio.

The other thing struck me about this video was the simple visual of the turning record. Watching it evokes thoughts of The Replacements’ “Bastards of Young” video.

Radio Free Berkeley Transmitters

Radio Free Berkeley is selling radio transmitters (Brand new obsolete NTSC tv transmitters are also available.) Ruggedized, and small enough to be concealed, the 40W version can transmit 8 – 10 miles.

With one of these and Yuri Suzuki’s QR codes you could create a pretty cool number station.

Video after the jump.

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DorkbotSF 47

Last night was DorkbotSF 47 at TCHO. There were three speakers, Timothy Childs, founder of TCHO, talking about how they quantify chocolate and make small testing labs for the Peruvian jungle; Michael Ang (aka Mang) showing off some of his work like Strange Attractor, artificial flowers to attract butterflies, and Blue Flower, yet another LED flower. The highlight of the evening though was Mark Pauline of SRL revealing his plans to build an 8 foot spine robot with a spike on the end. The evening was streamed, so definitely watch Mark’s critique of other spine robots that have been built. It’s around 51:00.

Chemical Warfare Project, Phase 1

Eric Pakurar, took a photo every day of the same Greene St doorway in Manhattan for eight months straight, recording how the graffiti changed as part of his Chemical Warfare Project.

He is currently soliciting the identities of the individual artists, the individual pieces on Flickr.

Via Wooster Collective

9

via Almost Scientific and Design Related:

Shane Acker created an animated short a while back about tiny numbered cloth people in a post-apocalyptic world. Tim Burton is turning the short into a full movie.

Visually, it’s amazing, but I think I prefer the original short to the feature. The short doesn’t feature any dialog, and so that adds to the outerworldness of the story. I understand that most people can’t be bothered to watch something with no dialog (even Wall-E had dialog), but dialog forces extraneous notions like backstory, romantic subplots, interpersonal conflicts, that take away from experience the presented world. I’m not saying that these things can’t exist without dialog, they clearly can (well perhaps not backstory), but by using dialog they are brought to the forefront with a sledgehammer. Still, I’m hopeful for the feature.

9, comes out surprsingly enough, 09-09-09. (That’s ten years to the day of the North American Dreamcast release.)

Original short:

Trailer:

Curiosity Cabinet

curiosity_cabinet

Jon Stam has designed an RFID curiosity cabinet. The cabinet is lined on both sides with drawers and boxes. The drawers contain objects, while the boxes contain a USB memory stick and an RFID chip. Placing the box near an RFID reader, causes the digital content to be displayed.

matandme has more photos info about this. DesignGuide.tv interview with Jon showing the cabinet off is after the jump.

The thing that drew me to this cabinet was the clean lines of it. When I first saw this, I had no idea it was RFID enabled. I particularly like the pulls on the drawers, or more precisely the lack of them. Many times when there’s pull-less drawers, the outer panel is beveled for fingers to. In his design the pull is simply the main drawer face, with a second panel inset slightly inside to completely close of the drawer when it’s closed.

One thing I don’t like about his design is that the digital curios are separate from the physical curios. I’m don’t think that distinction needs to be made. Digital objects don’t completely replace physical objects, (recordings, both audio and visual, excepted) but are complimenting them. For instance, when I traveled to Beijing, all my photos were digital, but those aren’t my only souvenirs. I have a Mao Book, a wad of cash, receipts, and tickets. It’s this collection, both physical and digital that commemorate my trip. It seems that a cabinet that attempts to recognize this dual nature of modern memories, should completely integrate them, rather than treat them as different things. If the each drawer contained the digital memories associated with the physical object contained in it, then this would be the case.

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asdf Videos

I one time came across a blog post talking about the sureality of uploading videos to YouTube and the like as “asdf”. The uploaders cared enough to upload it, but no enough to actually give it a name. If they don’t even care enough to name it, then why should anyone else care?

I was talking about this today, and decided to demonstrate sheer crap that’s on YouTube named this, when ironically, I found the sublime. It’s the music (Of Montreal’s cover of “Color Me In”), and the sheer persistence, if not sisyphusian persistence of the guy. It’s amazing.