Jul 13 2011

Son of Strelka, Son of God

Dan Warren posted into the Something Awful forums an audio book he said he had been working on for four years. “Son of Strelka, Son of God as narrated by Barack Obama.” (torrent, the entire 32 minutes aren’t animated yet) He took Obama’s audio book, “Dreams of My Father,” and re-edited it so that Obama tells the story of the a demigod and the creation of the world. It’s truly the most inspired presidential hack since St Ronald of Hollywood and Nancy Reagan addressed America about the joys of crack.

via Slate


May 7 2011

Otomata

Created by Batuhan Bozkurt, Otomata is a cellular automata music sequencer.
The sequencer consists of a two dimensional grid. Each row and column correspond to a musical note, with the first row and first column representing the same note, the and so forth. By clicking on cell, the user places a cursor at that location which travels in one of the four directions. When the cursor hits the end of the row or column, the associated musical note plays, and the cursor reverses direction. Cursors can also change direction if they collide with each other.

I made two songs Otomata. The above pictured song is boring but symmetric. I like a later song I made more because it features a reoccurring motif while the cellular automata “improvises” over the top.

Otomata reminds me two other projects. The grid of moving squares reminds me of a Monome. I love the abstractness of the Monome interface, but I have no way to really justify purchasing one of these, but they look awesome.

The other thing Otomata recalls is Stephan Wolfram’s A New Kind of Music. (This “new kind of music” is apparently crappy 1980s MIDI, but I digress.) As you might have guessed, Stevie set his cellular automata rules up trigger MIDI events, giving equally predictable atrocious results.


May 3 2011

Big Man Japan

I recently watched “Big Man Japan“, the Japanese mockumentary about a Japanese superhero that grows to immense proportions when shocked with electricity. He’s the sixth generation Japanese Apache Chief. The film follows the the big man in his normal life. We see his crappy house. (He can’t hold a normal job, he’s always on call for a monster attack.) We see him deal with his estranged wife and his disinterested daughter. We watch him negotiate with his agent on corporate sponsorship deals; and catch reactions to his battles from person on the street interviews.

Throughout the entire film is the undercurrent of lost glory. The big man’s grandfather, “Number Four,” protected Japan during the 40s. There were shinto ceremonies prior embiggening, and much more pomp and circumstance, but now – like the current big man himself – they are in considerably less glorious.

The film starts out very slow, but once it picks up after the first fight, it starts to move at a nice pace, and gets progressively funnier. It’s netflix streamable, so there’s no reason why shouldn’t watch it now. DO IT NOW!


Apr 18 2011

A Max Bialystock Production

Exhibit A

Danny Boyle has decided that Benedict Cumberbatch and Jonny Lee Miller will share the roles of Dr. Frankenstein and the monster, switching roles every night of the his stage production of Mary Shelly’s Frankenstein.

Exhibit B


Mar 14 2011

The Prince of All Websites

Katamari Hack by Alex Leone, David Nufer, and David Truong, is a nifty little CSS3 and HTML5 hack that allows the Prince to roll up the elements on the page to that infectious tune.


Dec 21 2010

Wisdom Teeth

“Wisdom Teeth” is the latest Don Hertzfeldt animated short. My first introduction to Hertzfeldt was “Ah, L’Amour” back in 2000 at a Spike & Mike Sick and Twisted festival in Chicago. That man continues to make some wonderful cynical stuff.


Sep 19 2010

The Bridge

I finally watched Eric Steel’s film The Bridge on Hulu. After reading this 2003 New Yorker article about Golden Gate Bridge suicide jumpers, Eric Steel set up cameras around the GGB to film the jumpers. He managed to film 23 of the 24 suicides in 2004, and in the process, annoy CalTrans for showing a part of the bridge experience that tourists shouldn’t see.

The film is fascinating, and thankfully doesn’t take the easy melodramatic or Helen Lovejoy approach. Steel treats the the subject, and everyone, involved with a distance that makes the film come off as more descriptive than anything. Other film makers may have turned the second half into a call for foxconn-esque nets.

When I first mentioned bridge jumpers, I said:

I [had become] enamored with the moment that the jumper’s center of gravity moves over the water, and the inevitable plunge begins. That moment, when your heart skips a beat, and your stomach tenses, and you think “Here we go!” It’s not the moment of total commitment. No, it’s the moment just after that. Did they intend to go just then, or were they just trying to get up the nerve when they slipped? More disturbingly, do they change their mind on the way down?

In the film, jump survivor Kevin Hines, recounts his experience. “[I] hurdled over the railing with my hands, and I was falling head first. And the second my hands left the bar – the railing – I said, ‘I don’t want to die. What am I going to do? This is it. I’m dead.’” Watching person, after person, simply turn, climb over the railing and immediately jump, I wonder how many of them were like him.

One that probably didn’t think twice was featured jumper Eugene Sprague. The interviews with Sprague’s friends, reveal a man that for years had decided to kill himself. He simply was waiting for the time to do it. He reminded me of my great aunt Doris. Aunt Doris, talked about suicide for years. She even tried a multiple times, while simultaneously teaching me lessons about suicide. Lessons like, cutting your wrists doesn’t work. You have to cut your elbows, or as they say, “Down the road, not across the street.” She taught me, that if you want to get hit by a train, you should check the train schedule first. Perhaps her best advice was when she told a 9 year old me, “Jonathan, if you ever want kill yourself, don’t try to electrocute yourself. It hurts like hell.” My response: “Oh, okay.” My mom and my great Uncle Lee, would take her to psychiatrists for years, but none of that helped. My mom says that eventually one of them simply said, that Aunt Doris would keep trying until eventually she succeeded.

On my birthday, (I think my 10th birthday), she came over and brought me a lava lamp, almost identical to the one that she had sitting in her living room. I thought her lava lamp was one of the coolest things around. When I opened the box, I was amazed. I couldn’t imagine ever getting something so grown up like a lamp. It was awesome. She said, sitting in the recliner of my parents’ living room. “I got you that so you’d have something to remember your crazy Aunt Doris by.” I was confused by the statement, but mostly just in awe of owning a lava lamp. I remember that my mom got up and left the room rather angrily, and I had no idea why. The next day, Aunt Doris shot herself in the heart with a pistol and died.

I still have the lamp.


Jul 11 2010

Swarm Light

rAndom International unveiled xhibited “Swarm Light” (video and detail photo after the jump) at Design Miami / Basel last month. The installation consists of the three cubes of white LEDs. The LEDs are lit according to a flocking algorithm, and move in three dimensions around the cubes. Viewers can interact with the light by standing under the different cubes and by using sound to “scare” flock.

via matandme

Continue reading


Jul 9 2010

Big Bang. Big Boom

Street animators Blu‘s new video “Big Bang. Big Boom.” The story from the Big Bang to the nuclear armageddon.


May 27 2010

Shared Artifacts

Schuresko one time mentioned using shared artifacts for collaboration and social network interaction. Instead of simply just clicking buttons in lists, users would manipulate representations of the activities/messages more like how one drags icons around on a desktop. He mentioned OLPC’s Sugar interface, and how other OLPC users show up as icons on the home screen, complete with icons indicating what activity they are currently engaged in. Since many of the OLPC applications are collaborative, clicking on a user’s icon will crate a shared session with him/her. Also, when users are collaborating, their icons appear huddled around the same activity icon.

I hadn’t seen anything like that interface before, especially deployed outside of a lab. I thought about that recently when trying to simply share a folder on my computer with Ming’s was an exercise in frustration. (Either we couldn’t log in to each other’s machines, or the network link would collapse immediately after beginning the transfer.)

Later, I saw an ad for Microsoft’s Kin phone. It interface (shown above, you have to click around on their link unfriendly site to find the video yourself) seems pretty novel. The user is initially presented with a graphical life stream. From this, they can drag items down to the area immediately below the stream (the “Kin Spot”) to share them with people in their address book. Again, destinations are selected from a graphical stream and dragged to the spot. Tapping the spot allows the final message is edited and then sent.

It would be interesting to create an interface like this for Diaspora, if that ever gets off the ground.