The colors, the curved shapes, and the recessed circular bookcase in the ceiling are all very attractive, but this is clearly a very small area, so small that it is impractical to reach the bookcase. It doesn’t even have a dedicated ladder, but rather a some portable metal thing is propped up and taken down every time a book is required. The ladder can’t be left in place, otherwise you lose access to half the desk. Also, this office is completely windowless save for the square skylight. It’s an interesting design, and it’s decorated well (even if its a bit too trendy by half.
Christopher Schwarz is a big fan of tool chests. He’s such a big fan, he built a single chest, and then sold off all his tools that didn’t fit in the box and wrote a book about it. I certainly admire the discipline involved. He now makes all his furniture by hand using preindustrial tools. I only recently discovered him, but he’s apparently somewhat well known in the woodworking circles.
I’ve looking at toolboxes recently, and I’d be remiss if I didn’t mention the Henry O. Studley’s toolchest. Built in the 1920s, and designed to hang on the wall, it is 40 inches square and 4.5 inches deep when open (39 x 20 x 9 closed). Made of mahogany, rosewood, walnut, ebony, and with ivory and mother of pearl accents, it features fitted slots for each tool, and multiple lifting trays to store even more tools. (See video below for a better idea on how the tools fit inside.)
The part of me that loves secret panels and unfolding compartments, but I can’t help but think that it’s a bit cumbersome. To get to some tools you have to move three panels just to reach them. It’s more “art” than “tool”, but that does not diminish craftsmanship or beauty of the piece.
“Loren” (no last name given) of Canada designed and built his own electric lift standing desk, with integrated computer. I do like this. He’s mostly managed to create a desk that I like, while at the same time doing some tricks that I normally think are cringeworthy.
It’s a corner desk, which I don’t tend to like because of they’re inflexible layout, but I do appreciate how they maximize of surface area that’s in reach. It has a glass top, which always seems a bit cold (both physically and aesthetically), to reveal an embedded computer. I’m kind of torn about the embedded computer. Part of me thinks that it’s a bit too gamery, yet I do like how it frees up floor space, and it does simplify the cable runs when raising and lower the desk. Even with all these touches that I don’t really like, the top does look nice. It’s the the legs that I can’t stand.
The legs are very amateurish. He’s using very thin (what half inch, if that?) single board trestle style legs. They’re absolutely horrible. They are literally two boards nailed together in the shape of a tee. The desk just doesn’t look stable. He’s added some simple boards for mounting some linear actuators, but the mechanisms are still exposed on the other three sides. The legs are really a disappointment.
The real find for the desk are the linear actuator arms. HARL-3616+ arms from SuperPowerJack. 18 inch extension and can lift 500 pounds on 36 volts. The real feature is that he could find them on eBay for $50 to $100. They don’t have limit switches though, but those are simple to wire up.
Still, an electric lifting standing desk for mere hundreds of dollars instead of several thousand is a huge win!
Design group Razy2 (Paulina and Jacek Ryń)’s Tab table, features sliding panels on top that hide storage containers under the top.
I’ve become curious about desk and table tops that appear seamless, yet conceal storage and ports. it’s an interesting idea. If I was to do this, I’d hold the panels in place with rare earth magnets, but main problem is that if you put the panel in the middle of the top, then you have to have a way to pull the lid off, which means either a handle, or a scoop to lift it out. Placing the lids around the edge allows the lids to be lifted off (assuming the lid overlaps the edge) eleminates this problem.
Of course, placing the storage along the side in little concealable drawers is also a solution.
I have to say, I do not like this custom kitchen island/work table from Brush Factory. Made from Birch, Maple and Black Walnut, the contrasting colors between the legs and the upper part are interesting, but at the same time feels a bit haphazard. Coupled with the square boxes of exposed plywood, the whole thing feels a bit amateurish. Like Etsy amateurish. The single contrasting drawer is really the final nail in Etsy vibe.
Put a bird on it, and it’s done.
Designed by The Brush Factory in Cincinnati, the Gradient Shelf for Brighton Exchange, is a 24 inches x 12 inches x 3 inches shelf made of American Black Walnut and Baltic Birch plywood. The sides are stained dark, but what really sets this shelf apart (and not so coincidently gives it its name) is the hand split-fountain screen printed color.