via Eric Fischer

Zander Olsen‘s ongoing project “Tree, Line” wraps trees with white plastic up to the horizon and then photographs the resulting illusion. The results are a bit surprising, and I thought that some of them were manipulated until I looked more closely at them.

Eric Cantor is right. If Bert is there, then Occupy Wall Street is evil.

Alas, Oscar isn’t being tossed through a window.

This post is not about what Anders Behring Breivik (allegedly) did. Instead it’s about the photos.

Everywhere you look, you see professional portraits of the suspect. Where did these images come from? Obviously, they came from the Anders Breivik, but where did the media get them? What was the context that they were taken in?

I found the proximal answer to where the media got them. Most photos of the man on CNN are attributed to Getty Images, but where did Getty get them? I didn’t know, until I read the attribution on the above picture from CNN. “Facebook via Getty Images.” [Original Link]

Wait. “Facebook via Getty Images?” What does that mean? How does Getty get the attribution? Do they own the right to license the images to news agencies or what? Did Facebook just invoke their right to sub-license (See section 2.1 of Facebook’s Terms and Conditions) Anders Behring Breivik’s photos to Getty for (blood) money?

Inquiring minds want to know.

Update: Mon Jul 25 01:28:50 PDT 2011
Let me be clear. It’s not not just Facebook and Getty. There’s this photo that carries a Reuter’s copyright notice no less. This photo appears again, this time with “AP Photo / Twitter” attribution. And again, but with Getty. Either Getty, AP, and Reuters are engaging in widespread unauthorized redistribution of copyrighted materials for commercial gain, someone (meaning Facebook and possibly Twitter) has sublicensed the photos, or the AP, Reuters, and Getty are making a very dubious fair use claim over distributing the photos.

With Reuter’s copyright

With Getty attribution on CNN.com

Curioser and curioser.

The whole thing smells. Smells like Caters News and the monkeys.

Update: Mon Aug 1 15:30:24 PDT 2011
Hillel Gray
answers on Quora:

It may be pertinent that there are a number of images distributed by Breivik at the end of his massive “2083″ document.

Added: He did distribute the specific photo that (I think) was from his Facebook profile.

After:

Cleveland Harbor West Pierhead Lighthouse is now encased in ice.

selekkt links to Melbourne collage artist Liesl Pfeffer. Her collages, reminds me a bit of Isidro Blasco‘s multilevel photos, such as Sydney. I’m not sure why. Blasco tries to simulate three dimensions, while Pfeffer attempts to make something new out of how the photographs are cut and pasted.

Previously.

I managed to make my way up to San Francisco and see both the USS Bunker Hill and the Varyag. Unfortunately, there was a mixup about how long Russians were giving tours of the ship. Instead of going to 3 pm, they stopped at 1 pm. However, I did get some decent photos of the ship from the pier. For more detailed shots, I suggest you view the Chronicle’s pictures of ship. I did manage to take a tour of the Bunker Hill. We mainly stayed on the outside of ship, seeing the fore and aft vertical launch systems, the helicopter hanger, and also the bridge. About 350 crew members are on board, and about 40% of those are female. In 2008, the ship was the first Ticonderoga class cruiser to underwent an upgrade to its fire control systems, that allowed (in addition to other things) the ability of both the fore and aft 5 inch guns to be targeted independently. On of the new roles for the Bunker Hill is ballistic missile defense, and the ship is of the same type that recently shot down a satellite.

It was very cool tour, and look forward to the next San Francisco Fleet Week (October 7 – 12).

UPDATE Fri Jun 25 12:23:50 PDT 2010
Flickr user Kyle Mizokami has some great shots from tours of both the Varyag and Japanese ships that were in town.

Being a child of the Cold War, I was fascinated with military; both with the weapons and the uniforms. My World Book encyclopedias would fall open to the insignia entries for the Air Force, Army, Navy, and Marines. My interest in medals and insignia continues to this day. I can literally spend hours browsing the Army Institute of Heraldry, or Starfleet uniforms, or Imperial rank insignias.

I was bit surprised (and taken back) by the fact that the Utah Department of Corrections issue ribbons to prison guards that participate in executions. Well, more accurately, the did, now they issue commemorative coins, just like the Super Bowl. (“The staff preferred something a little more modern than the ribbons.”)

Apparently the guards “awarded” these ribbons didn’t actually wear them. I’m thinking more out of fear of retribution rather than decorum. The ribbons weren’t issued to only the firing squad, but to anyone involved. Perhaps it’s my opposition to the death penalty talking, but I find these medals morbid. While the military awards combat ribbons, many of the actions that they’re awarded for involve rescuing someone, or at least holding out against an enemy. It’s rarely for just killing. Even if it was, at least the people being killed at least are fighting back. Shooting a man that’s tied to a chair, is just state sanctioned murder.

Even as I’m repulsed by the notion of these ribbons, I stare at them and try and deduce a schema for them. Do slants represent executions? Do diamonds represent escapes? Does squares represent administrative tasks? Its frustrating not to know. I wish the picture showed them all. I even want one for some macabre reason, just to put on a shelf, or even a Wunderkammer.

When I attended the SF Fine Art Fair one the few artists that really stood out to me as Thomas Allen. His photographs, like “Epilogue” above, consist of cutouts from the covers of pulp novels arranged in such a way to tell a new story. Some of these photos are collected in his book, Thomas Allen: Uncovered.

It’s second tier art, because the real visual oomph comes from simply the wholesale appropriation of the original artists’ works. It’s a collaged diorama, while executed with much more visual skill, it’s still reminiscent of the types of collages people would hack together from magazine cut outs, and turn in for extra credit in high school English I. Still, I do enjoy his work, even if I find its originality ironic.

Previously.

2010:

Previously.