Robot Monkeys

designboom writes about Geisha Tokyo’s AR figure. The AR figure consists of a large cube with different codes printed on the faces, along with a smaller cube that also has codes on the faces. When placed in front of a webcam, the figure is displayed, and the smaller cube can be used to interact with (read “accost and molest”) her. (Video after the jump.)

The only time I’ve used this sort of AR was the last time I was at the LEGO store in San Jose. It’s kind of an odd experience, if you hold the box at the wrong angle, the image completely disappears; but I think the biggest thing is the lack of tactile feedback. Still, this kind of AR is something I find interesting, if for no other reason than novelty. Someday, in my copious free time, I’ll have to check out AR Toolkit and try my own AR project.

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Last February Chris Bodle Watermarks Project was a series of projections throughout Bristol, England that illustrated high-tide water levels if the Greenland ice shelf would melt.

I really like BLDGBLOG thoughts about this project. How idea of projecting a different geography over the current geography. A kind of public augmented reality.

I would love for something like Watermarks to change people’s attitudes and motivate the radical changes that are needed, but it won’t. We’re doomed, by our own hubris.

I’ve always been fascinated with hiding places. When I was little, my dad put a wall safe in my room for me. To this day, it still hold my pirate booty, a small brass chest containing a variety of foreign coins, and a collection of uncirculated commemorative coins from the US Mint. But what I really wanted was a hidden room. The closest I ever saw the house my friend Josh and his mom moved to. All the bedrooms on the top floor were interconnected via doors in the closets. Kind of strange, but pretty cool, or at least it was cool to 12 year old Jonathan.

Portland OR’s (or “Portland West,” as I have just decided it should be known as) Panic Software moved into new offices at the beginning of the year. Normally, this wouldn’t be newsworthy, but the offices have a very stylish hidden room. The leather chairs, and the worn leather bound books just call out for drinking a sherry while wearing an ascot, french cuffs, a monocle, and a cigarette holder.

Colonel Noseworthy and the Haberdashery Campaign indeed.

The Play Coalition created Plantbot, a servo powered planter. The idea is that the planter continuously tracks the sun, ensuring that the plant get maximal sunlight.

My initial impression was that this was a really cool idea, but when I started thinking about it, it seems like yet another one of those ideas that are utterly impractical. I mean, do you really want furniture that constantly moves? Well I guess a dog is kind of like that, but it doesn’t immediately back to the same place. In all honesty though, that’s an engineering problem. An accelerometer to detect pickup and not move for some time after being placed back down. I guess the other thing is having it move back to its original position each morning. Well, I guess that’s just a search pattern. So, I guess none of this is that big of a problem.

Adafruit links to Peter Sand’s Fast Planting. (Alas, the video is broken.) Fast Planting is a track mounted robot for tending an herb garden. The cursor moves across and grabs interchangeable tool heads to plant, water, and trim the plants. Completely over engineered. ;)

Swiss Miss links to Kurt Riedi and Steffi Gloor’s weather site. Each forecast is presented as a photograph illustrating the qualitative weather for the day. Browse them all.

I really like how endearing each photo is. Something like this would be infinitely better for my dad’s weather station (A Davis Vantage Pro. Highly recommended.), than the horrible UI that WView provides by default

Ahh, Berlin… The city with the best street art environment of any city I’ve been in.

Berlin’s Mentalgassi installs pasteups of wraparound photos of persons’ heads over common items in the urban environment.

I love the playful interaction of the faces with the ticket validators. It’s just clever.

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BLDGBLOG writes about Nina Burleigh’s book about the French in Egypt during Napoleon, Mirage. In it, Burleigh mentions how each neighborhood in Cairo was walled off from each other. Only small gates, sometimes, just a single gate for a neighborhood interconnected the city. A city of cities if you will. Napoleon ordered that the entire city be mapped.

[I]t was deemed so daunting that at first the engineers hoped the order [to map Cairo] would be rescinded” – but, of course, “it was not.” Edme-François Jomard, the cartographer in charge of the project, wrote: “The city is almost entirely composed of very short streets and twisting alleys, with innumerable dead-ends. Each of these sections is closed by a gate, which the inhabitants open when they wish; as a result the interior of Cairo is very difficult to know.” Jomard, Burleigh writes, would spend his time “knocking on gates that hid whole neighborhoods.”

When I read this, I thought of two things. First, it sounds like 18th century Cairo was almost like Harry Potter’s Diagon Alley. Only if you knew where you were going, and knew the password, would the hidden areas be open to you. The other was the Forma Urbis Romae.

The Forma Urbis Romane was an detailed marble map of Rome circa 200 CE. It outlined every street, alley, doorway, and stairwell in the city. Not just public areas, but the internal plans to the buildings as well. Unfortunately, a majority of the map was destroyed and used for lime and other building materials. Today, only about 10% remains.

I’ve always had a soft sport of maps every since I was little. Whether the map was a real location, or a fictional one, a map always filled me with wonder. It was a window to an adventure. With a map, I’m prepared to go.

Dan Goods, artist at JPL, recently curated the Data + Art exhibit at the Pasadena Museum of California Art. (Show ran from January to April 2009.) As part of this exhibit is the crayon shaded printout of raw data from the Mariner 4 of the first image from Mars.

I like the very low tech solution to rendering the image, but I do find it a strange when compared to the processed image. Perhaps it’s because of the colors of the crayons used, but the colored image makes the image appear like a landscape. If this was a Viking image, I wouldn’t have thought anything was strange, but Mariner 4 was an orbiter. In the processed image, the planet doesn’t even appear to fill the entire frame.

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The Chron highlights some of the murals of The Mission in San Francisco. Murals are pretty common in The Mission, but this list highlights some of the best.

Festo, a German robotics company, has unveiled yet another of their mesmerizing biologically inspired creations, AquaPenguin (Not to be confused with AirPenguin.) (Autoplay (bleh!) video after the jump.) You may remember Festo from their robotic jellyfish AirJelly and AquaJelly. (Videos of these also after the jump.)

Festo creates these as part of their Bionic Learning Network. This project models natural animal systems in an effort to develop lightweight, and energy efficient designs for manipulators and locomotion. As a side effect of this research, Festo creates these robots in order to demonstrate the effectiveness of this approach.

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